In April 2024, Shanghai International Studies University hosted a captivating array of Chinese cultural events, among which were Peking Opera experiential classes. Let's delve into the narratives of international students and their encounters with Peking Opera!

Saja Khalid Eid Al-Krimeen from Jordan

In the Arab world, our traditional color interpretations are red for anger, black for evil, and white for purity. Yet, in Peking Opera, these colors hold contrasting meanings. Red embodies loyalty and courage, black signifies integrity and selflessness, while white hints at cunning and deceit. This cultural shift has left a profound mark on me, deepening my admiration for the artistry of Peking Opera.

Saja Khalid Eid Al-Krimeen in the Peking Opera experience class. [Photo/WeChat account: Study_in_SISU]

Sofia Dmitrieva from Russia

During the Peking Opera class, the instructor artfully applied makeup to transform me into a Peking Opera performer. It is now an unforgettable moment in my life. The instructor introduced us to the types of face makeup, where each color signifies the character's personality traits or specific features. Finally, we were guided through a scene, sparking joy despite some initial shyness among classmates.

Sofia Dmitrieva adorned in Peking Opera makeup. [Photo/WeChat account: Study_in_SISU]

Satoko Kinoshita from Japan

Studying Peking Opera led me to compare it to Kabuki, a traditional performing art in Japan. Both art forms employ distinct makeup styles for different roles. In Kabuki, white powder dominates, while Peking Opera bursts with a colorful palette symbolizing emotions. Peking Opera actors sing their parts, unlike Kabuki where musicians or singers convey emotions at times. While modern Peking Opera embraces female performers, Kabuki remains male-centric. I find Peking Opera more aligned with modernity.

Satoko Kinoshita tries on a traditional Peking Opera headpiece. [Photo/WeChat account: Study_in_SISU]

Source: “Study_in_SISU” WeChat account